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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.

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When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik.https://justforlaptop.com/ https://www.foxref.org/ http://ccsao13.com/

When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. When the suggestion of a recording with the Huntington Brass Quintet came along, I noticed a great lacuna, namely that there was no work for the tuba and organ (I still have not found another original work for this combination). The present work, Dragons and Deeps, was composed for Randall Montgomery. He and organist Andrew Paul Holman played the premiere in Round Lake, New York, in the summer of 2001. In the score there is an excerpt from Psalm 148, 7 and 8. Praise the Lord from the earth, ye dragons and ye deeps; fire and hail, snow and ice, gales of wind obeying his voice! Morning Music was composed at the request of organist James David Christie and the Paramount Brass Quintet. The specifications called for a light-hearted work about ten minutes long, easy to rehearse, accessible to a wide variety of audiences and ending (in his words) with a “toe-tapper”. The work observed the 100th anniversary of the birth of Paul Hindemith in 1895 and acknowledges the enormous influence his compositions and teaching have had on 20th and even 21st century music. I also made a special reference in choosing my title to his 1932 work for brass quartet entitled Morgenmusik. https://www.allfitsplint.com/ 타투